DYING FOR MONET
Claudia Riess
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GENRE: Mystery
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BLURB:
Dying
for Monet, book 5 of Riess’s art history mystery series, opens on a gala
evening auction at Laszlo’s, an upstart auction house in New York City. After a
much sought-after Impressionist still life painting is without notice withdrawn
from the auction block, its broker is found dead at the foot of an imposing
statue in Laszlo’s courtyard. Amateur sleuths Erika Shawn and Harrison Wheatley
are once again drawn into an investigation involving an art-related homicide,
this time with one sharing an unnerving coincidence with violent crimes
occurring abroad.
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Excerpt
Three:
For a short while they ate in a silence broken only by the
soft clatter of utensils and restrained exclamations of praise, the meal more
than living up to its aromatic overture. Yet, beneath the silence there was an
insensate hum of anticipation, like an underlying spice that defines a dish,
but can’t quite be identified.
Erika was slicing into a tender fragment of chicken;
Harrison, scooping up a forkful of buttered noodles; Greg, wiping his lips with
his napkin—when Robin, staring down at her plate, suddenly blurted, “Ivan and
I—we were having a squabble.” She looked up. “It wasn’t much of anything at the
start, but it escalated. We were having dinner. Right where we are now, at this
table.” She seemed to marvel at the coincidence. “I complained, not very
adamantly, that he was spending a lot of time in Manhattan—too much time. He
said he was ‘learning the ropes.’ I remember thinking, how odd, I’ve never
heard him use that phrase.” She studied her plate again. “I told him he didn’t
share things with me. What was he doing at Laszlo’s? Who were his colleagues? I
became agitated. I asked him if he was having an affair.” She sucked in her
breath, as if someone other than herself had surprised her with that statement.
“He was stunned by my accusation. At a loss. For a minute he
was silent, and then he said, ‘An affair? You want to know what I haven’t
shared with you? Something personal? All right, I’ll let you in on my secret,
my only secret, but you have to swear you’ll keep it to yourself. It concerns
the contract between me and one of my clients. I’m going against my word, here,
you understand. I gave Mr. Keller my word I’d keep it between us.’ It was
essential, Ivan said. Essential.”
Robin picked up her fork and began pushing a morsel of
chicken around on her plate, poking at it, as if to get a response out of it.
“What was I thinking?” She let the fork drop onto the plate and looked up. “I
can’t talk about this. I swore not to. There was a reason not to tell. A danger
in telling.” She shook her head. “Greg, Greg, I was drunk with grief when I
shared this with you. I know you’ll keep your word. Erika, Harrison, I’m sorry.
I’ll give you anything else but this. Not this.”
Erika was sitting next to Robin. She laid her hand on hers.
Robin placed her free hand on Erika’s and kept it there. Erika nodded her
understanding, inwardly begging Robin to recant. The plea went unanswered.
A short time later, after acceding to Robin’s remorseful
insistence they partake of her apple pie à la mode and coffee, the sated
visitors were back on the road, heading toward Manhattan.
All three were seated in the back of the car, Erika between
the men. Bill had taken it upon himself to shut the partition separating him
and his passengers so that they could converse in private.
For a while silence ruled. Then, not quite breaking it,
Erika turned to Greg, on her left, and, cocking her head ever-so-slightly,
fixed him with an imploring look.
“No,” Greg said.
“Just thought I’d ask,” she answered. “I understand.” She
rested her head on Harrison’s shoulder and tried to distance herself from the
double-edged guilt for having pressed Greg to break his oath and disappointment
for not having succeeded at it.
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AUTHOR Bio and Links:
Claudia Riess has worked in the editorial departments of The New
Yorker and Holt, Rinehart and Winston, and has edited several art history
monographs. Stolen Light, the first book in her art history mystery series, was
chosen by Vassar’s Latin American history professor for distribution to the
college’s people-to-people trips to Cuba.
To Kingdom Come, the fourth, will be added to the syllabus of a survey
course on West and Central African Art at a prominent Midwestern
university. Claudia has written a number
of articles for Mystery Readers Journal, Women’s National Book Association, the
Sisters in Crime Bloodletter, and Mystery Scene magazine. To read more about Claudia and her work,
visit the author's website.
Website: http://www.claudiariessbooks.com
Twitter: http://twitter.com/ClaudiaRiess
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Pinterest: https://www.pinterest.com/claudiariessbooks/
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GIVEAWAY
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author will be awarding a $25 Amazon/BN GC to a randomly drawn winner.
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Thank you so much for featuring DYING FOR MONET today.
ReplyDeleteThank you for featuring my book today!
ReplyDeleteThis looks like a very enjoyable read. Thanks for hosting.
ReplyDeleteThanks for the chance!
ReplyDeleteThanks for sharing. Sounds like a good read.
ReplyDeleteI really like the cover and the excerpt.
ReplyDeleteIs this part of a series?
ReplyDeleteYes, Kim. Book 5 in my art history mystery series. A stand-alone, though.
DeleteThank you for your kind comments!
ReplyDelete