How far would you go to survive in a post-apocalyptic world?
When a gigantic solar storm hits the earth in 2051, a worldwide EMP destroys almost all digital devices and power supplies. Life in the clean cities collapses. They sink into barbarism and chaos. The artificial superintelligence Tron survives in a shielded bunker and disempowers the people.
In the turmoil of this apocalypse, Julia (17), a girl from a clean city turned living hell, meets Winston, an 18-year-old settler, whose village lies in the wilderness and whose people strictly reject any use of digital technology. The catastrophe made the once separate worlds collide.
Together Julia and Winston have to go through many adventures and battles. They have to fight tooth and nail to stay alive. To survive and to find their own way, they have to question themselves and the principles of their worlds. But Winston and Julia also discover their love for each other and their true destiny in the free people’s fight against Tron and his machines.
In the French Resistance of 1944, trust is
the difference between life and death.
Post-war troubles heighten when our
hero’s life is in danger and all he holds dear is at risk.
In the Orchards of
Shadow and Light
The Shadow Series
Book 1
by Arthur McMaster
Genre: Historical
WWII Suspenseful Spy Romance
In the vast
tapestry of war, outcomes are never certain. Its demands are endless, its
sacrifices countless. Yet for one couple who will share war's burdens and
dangers-a daring American OSS agent and a French Resistance leader-its
conclusion will transform both lives forever.
From the opening
line, author Arthur McMaster, a retired foreign intelligence officer, makes
clear: "No families escape the devastation of war." What follows is
storytelling you won't be able to set aside. Amid the apple orchards and
farmlands of war-ravaged Western Europe in the final years of World War II, we
follow thirty-five-year-old OSS operative Claire Skiffington and French
Resistance leader Jacques Berlangier through perilous clandestine operations.
Eluding Vichy collaborators and Wehrmacht checkpoints, Claire's cover is that
of a simple pastry girl, but this emissary is far more than she appears.
Years after the
Nazi menace has passed, in the small Breton village of Combourg, Claire and
Jacques are in love and determined to build a life together. Their days and
nights in Paris work to make it all magical. But someone wants Jacques dead.
Why? And how will one estranged family member unlock the source of danger?
Brimming with
suspense and rich in character development, In the Orchards of Shadow and Light
features beautiful imagery and finely drawn characters. Written by former
DIA-CIA analyst and award-winning writer Arthur McMaster, In the
Orchards of Shadow and Light is the first in a trilogy based on
espionage, romance, and suspense. Combines elements of "The Rose
Code," "The Nightingale," and "All the Light We Cannot
See" to create a rich atmosphere, original characters embroiled in real
historical events, dangerous romance and compelling drama. This story
represents one man and one woman's perilous commitment to service in the face
of danger: one couple's commitment to overcoming treachery and blazing a future
together.
What readers
are saying:
“Finely crafted
with an artisan's touch, there is an unseen history beneath the lives of those
trying to survive. Precisely researched, McMaster adroitly drops the reader
behind the lines of clandestine operations. The grim destruction of Europe is
brought to life with beautiful imagery and reconnoitered characters-every bit
as interesting as those of Ken Follett's Eye of the Needle and The Key to
Rebecca. This is a fine novel no one should pass up.”
— William
Walsh, author of Lakewood (TouchPoint Press)
As you begin
this book, prepare yourself for reading a writer who knows the details of
espionage so well they feel like second nature, rather than research. Prepare
yourself for lush, lyrical prose and the historical span of an Ian McEwan
novel. This is a spy story, a love story, and a family story set largely in
France, during a war, but McMaster balances the deprivations of war with
domestic arts, the healing chores of mother women who bake stolen oranges into
cakes, somehow find tea to serve, and harvest the slenderest sprigs of tarragon
and chervil, plucked from their gardens, and stored in delicate clay pottery.
This is a white knuckle thriller written by someone with all the sensibilities
of a poet.
Near eleven, Jacques’s truck approached the barn. There, he and Claire saw
two men in black coats putting a third into their vehicle. The barn behind them
roiled in flame. From the look of it, the generator had exploded, or maybe they
had simply set off some explosives. Jacques and Claire sat far enough back to
observe what had happened but not close enough to be spotted.
“Goddamn it.”
“My God, Jacques,” she said.
“They are taking him.” Their own luck had held. Thomas’s had not. “And he had
been so clever. The boot heel. The shaving cream.”
“We have to go. Immediately!”
Both watched, though only seconds more, until the Germans drove off with their
prize, the barn behind them collapsing in flame. “Did you think he knew about
Combourg?” Jacques asked her.
She had never mentioned it.
They’d only met Thomas at the Laurent farm, in Épiniac. “As I recall, nothing
was ever said to him about Combourg.”
“He would not know of the
monsignor, Roger’s uncle,” she added. They had kept that secret. Claire rubbed
at the palm of one hand, kneading it with the knuckle of the other.
“No. And he does not know our
real names,” Jacques said. “But Roger Laurent could know.”
Jacques took her hand. “Thomas is
lost, but what harm Roger could do yet is considerable. If he gives up Roger.”
“Will he? Where will they take
him?” she asked as Jacques worked the truck around, knowing he was leaving
behind his apples and, more importantly, his cover for travel.
“Saint-Lô, I would think. Some
Nazi headquarters.”
As Jacques wrenched the truck
sharply onto the road toward home, where the deeply distressed Claire would be
able to arrange for her return to Bodney, a bottle scooted out from under her
seat.
“Look at this,” she said, pulling
it up from the floor. “It’s his Calvados.” Attempting to hold back tears.
“Keep it. We will finish it
tonight in his honor with a tip of the hat to our friend.”
Passing near enough to the
Laurent farm en route to Combourg, with relative safety still several
kilometers away, Jacques pointed to the farmhouse. It was risky, but he had to
take a look, remaining well back from potential observation. There, they were able
to make out, standing near the entry door, the one thing they had hardly dared
hope to see—a dark green motorcycle.
What Roger’s return portended was
unclear, but given what had happened to Thomas, that outcome was surely the
best they could have hoped for. Jacques slowed the truck and looked to the
darkened house, their hearts racing.
“Oh my God. He’s come back.”
Jacques touched her hand.
She thought to say something,
leaning into him. “Let’s go home, Jacques. Please!” Then added, “You did well,
getting us through it all. So brave.”
“You and me,” he said. “We did.
Together.” He touched her face tenderly.
In that moment, Jacques and
Claire leaned toward each other for a necessary hug, and then a kiss. A kiss of
relief. A kiss of what might yet be.
Poet, playwright and novelist,
Arthur retired from full-time teaching, most recently as Visiting Assoc.
Professor of English, at Converse College, in Spartanburg, SC. HIs books
include: In the Orchards of Our Mothers (historical fiction
novel); The Whole Picture Show (poetry) Musical Muse (academic); Birdies
Never Die (golf); Givings & Misgivings (poetry)
and The Spy Who Came Down with a Cold (poetry) and Need
to Know (memoir).
Arthur's first career was that of a foreign intelligence officer, with assignments
with military intelligence and briefly with the CIA. Arthur earned an MFA
degree in Poetry at University of Florida. Pushcart Prize nominations. He now
teaches in Continuing Education Dept for Furman University (fiction and
poetry).
The Guilt of Others opens with the sound of a gunshot in an overcrowded
office. But who was shot—and who pulled the trigger—remains a
mystery. Told through the intertwined perspectives of multiple characters,
each harboring secrets and scars from past and present, the story slowly
unravels the emotional and psychological web of trauma, secrets, and buried
motives binding them together. With nine suspects, three possible weapons, and
a detective whose instincts are starting to betray her, the search for the
truth unearths secrets no one was prepared to face.
About the Author
Sara Burrell grew up in Mableton, Georgia. She is a graduate of Young Harris
College and The University of Georgia. Sara is in her twentieth year of
teaching, and is currently a teacher at an elementary school in Georgia where
she is the gifted program coordinator for third, fourth, and fifth grade
students. Her husband of 18 years, 2 children, 2 hound dogs, and 2 cats
provide plenty of adventure and excitement to her already-busy days. Through
all that, she also writes books. The Guilt of Others is her second novel. Her
first, Newsworthy, released in 2023, was praised for its suspenseful plot and
surprising twists.
A hundred
different ways to break your heart, a hundred different ways to take your last
breath. Sienna and Finn are exploring their strange attraction to each other
until strange becomes something sinister. The clock is ticking as they fight to
unravel the mystery of what draws them together on fateful Friday, the 13th.
What readers are saying:
A Hundred Black Sunrises is a haunting and emotionally charged horror
short that blends reincarnation, cursed love, and inevitable tragedy. The story
follows Sienna and Finn, two souls drawn together across lifetimes, only to
face the same dark fate again and again. What begins as an intriguing
connection quickly spirals into something far more sinister, as the truth
behind their bond unravels. Though short, the narrative delivers a powerful mix
of supernatural horror and tragic romance.
A loud cracking sounded across the room and a huge, sil- ver
gilded mirror fractured in half, splitting apart their reflec- tions. Elijah
grabbed her hand and spoke softly. "Let me get you away from here,
Poppy."
As they moved toward the dining room entrance, one of the
kit- chen servants appeared. Her brown eyes widened and then narrowed at the
scene laid out before her. She hastily wiped her hands on her white apron and
latched onto Poppy's other hand.
"Run far, far away from this cursed place. Take nothing
with you. His evil was contained while he was alive, but his death
means..." she trailed off and shrugged her shoulders.
"What...what did he mean by "a hundred black
sunrises?" Poppy asked in a tremulous voice.
The servant smiled
sadly. "Nothing good, you can believe that." She gestured towards the
hallway leading to the front door as a dozen other servants from the kitchen
suddenly crowded around them. "Now, go! Take her and go!"
Elijah needed no further encouragement and pulled a dazed
Poppy down the hallway, already filled with black smoke. As he opened the heavy
door, she looked back one last time to say goodbye to every- thing she had ever
known, and her gaze lit on Christianpaul's smiling portrait of himself as a
much younger man. She shivered as Elijah led her out the front door and she
clutched his arm fearfully. Poppy knew every brushstroke of that painting and
never in her life had the bastard worn a smile in it.
Tamela Miles is a California State University San Bernardino graduate
student with a Bachelor of Science degree in Child Development and a former
flight attendant. She grew up in Altadena, California in that tumultuous time
known as the 1980s. She now resides with her family in the Inland Empire, CA.
She’s a horror/paranormal romance writer mainly because it feels so good having
her characters do bad things and, later, pondering what makes them so bad and
why they can never seem to change their wicked ways.
She enjoys emails from people who like her work. In fact, she loves
emails. She can be contacted at tamelamiles@yahoo.com or her Facebook page,
Tamela Miles Books. She also welcomes reader reviews and enjoys the feedback
from people who love to read as much as she does.
Are they the three foretold who will make the truth of
prophecy?
The Carnelian Throne
The Silistra Quartet Book 4
by Janet Morris
Genre: Dystopian Epic SciFi Fantasy Romance
***** "Engrossing characters in a marvelous
adventure." -- C. Brown, Locus Magazine
***** "The amazing and exotic adventures of the most beautiful courtesan
in tomorrow's universe." -- Frederik Pohl
***** "The best single example of prostitution used in fantasy is in Janet
Morris' Silistra series: High Couch of Silistra (originally entitled Returning
Creation), The Golden Sword, Wind from the Abyss, and The Carnelian
Throne." -- Anne K. Kaler, "The Picara: From Hera to Fantasy
Heroine."
"[...] today I thought I'd look at one of the most successful fantasy
debuts of all time, a series that became a huge international hit with its
first release, launching the career of one of the most prolific fantasy writers
of the late 20th Century: Janet Morris' The Silistra Quartet.
"The Silistra Quartet began with Janet's first novel,
High Couch of Silistra [...] from Bantam Books in 1977 [, ] the far-future tale
of the colony planet of Silistra, still recovering from an ancient war that
left the planet scarred and much of the population infertile. With a
dangerously low birth-rate, it's not long before the human colonists of
Silistra develop a new social order, with a hierarchy based on fertility and
sexual prowess.
-- John O'Neill in Black Gate Adventures in Fantasy Literature
Estri was a god, and the daughter of light.
Chayin was a god, and the son of darkness.
Sereth was hase-enor, the son of all flesh.
Lovers and friends, could they be the prophesied three
who would wield the Sword of Severance, Se’Keroth,
and bring light out of dark?
“One from the east, born of ease and destined,
“One from north of south, divine, exempt of question;
the third from out the west,
Astride a tide of death,” quoted Chayin. He was not
smiling. It is a long epic. All has been foreseen. We
all know that tale’s end.”
— Estri Hadrath diet Estrazi, in “Wind from the Abyss.”
“Gate!”
he bellowed over the storm, his dripping lips at my ear. The deluge had made us
sparing of words. Under leathers soaked to thrice their weight, I shivered in
spasms. Arms clutched to my sides, I stared into the rain. The driven sheets
slashed me for my audacity. Lightning flared, illuminating the riverbank white.
A moment later, the bright noise cracked through my head. The hillock trembled.
Over
the gate danced the lightning. Its crackling fingers quested down thick-crossed
slabs of iron, seared flesh. Emblazoned as they tumbled were those six-legged
amphibians, their streamered tails lashing, scaled, fangful heads thrown back
in dismay. I saw their afterimage: beryl and cinnabar, aglow upon the storm.
Then their charred remains splashed into oblivion, spun away on the fast
current.
“Down!”
One man shouted, the other shoved me, and as I staggered to kneel in the
sedges, the god that washed this land shook it, grumbling. I crouched on my
hands and knees on the bucking sod, between them. Little protection could they
offer up against shaking earth and searing sky, not even for themselves,
without divorcing themselves from the reality they had come here to explore.
And that they would not do.
Wind from the Abyss is the third volume in Janet Morris'
classic Silistra Quartet, continuing one woman's quest for self-realization in
a distant tomorrow.
Aristocrat. Outcast. Picara. Slave. Ruler .... She is
descended from the masters of the universe. To hold her he challenges the gods
themselves.
Praise for Janet Morris' Silistra Quartet:
"The amazing and erotic adventures of the most
beautiful courtesan in tomorrow's universe." -- Fred Pohl
"Engrossing characters in a marvelous adventure."
-- Charles N. Brown, Locus Magazine.
"The best single example of prostitution used in
fantasy is Janet Morris' Silistra series." -- Anne K. Kahler, The
Picara: From Hera to Fantasy Heroine.
This Perseid Press Author's Cut Edition is revised and
expanded by the author and presented in a format designed to enhance your
reading experience with larger, easy-to-read print, more generous margins, and
covers designed for these premium editions.
Wind from the Abyss starts with this . . .
"Since, at the beginning of this tale, I did not
recollect myself nor retain even the slightest glimmer of such understanding as
would have led me to an awareness of the significance of the various
occurrences that transpired at the Lake of Horns, I am adding this preface,
though it was no part of my initial conception, that the meaningfulness of the
events described by "Khys' Estri" (as I have come to think of the
shadow-self I was while the dharen held my skills and memory in abeyance) not
be withheld from you as they were from me. I knew myself not: I was Estri
because the girl Carth supposedly found wandering in the forest stripped of
comprehension and identity chose that name. There, perhaps, lies the greatest
irony of all, that I named myself anew after Estri Hadrath diet Estrazi, who in
reality I had once been. And perhaps it is not irony at all, but an expression
of Khys' humor, an implicit dissertation by him who structured my experiences,
my very thoughts, for nearly two years, until his audacity drove him to bring
together once more Sereth crill Tyris, past-Slayer, then the outlawed Ebvrasea,
then arrar to the dharen himself; Chayin rendi Inekte, cahndor of Nemar,
co-cahndor of the Taken Lands, chosen son of Tar-Kesa, and at that time Khys'
puppet-vassal; and myself, former Well-Keepress, tiask of Nemar, and lastly
becoming the chaldless outlaw who had come to judgment and endured ongoing
retribution at the dharen's hands. To test his hesting, his power over owkahen,
the time-coming-to-be, did Khys put us together, all three, in his Day-Keeper's
city -- and from that moment onward, the Weathers of Life became fixed:
siphoned into a singular future; sealed tight as a dead god in his mausoleum,
whose every move brought him closer to the sum total, obliteration. So did the
dharen Khys bespeak it, himself. . ."
“Morris, so good
at giving us characters we can identify with, characters we can love and hate,
strikes at the very heart of the human condition and the duality of humanity —
both good and evil. Her prose is lean and spot-on, every word carefully chosen to
enhance the milieu of her imaginary world and advance the plot, giving us
access to the thoughts, emotions and machinations of the people whose stories
she is presenting to us. Once again, she gives us a “thinking man’s” science
fiction/fantasy that explores the nature of power and sexuality, and how they
can be used, misused and abused. This is a brilliant, mature and very adult
novel that will not only leave you thinking about your own place in the
universe, but questioning the very nature of existence.” – Goodreads reviewer
Dystopia. Biology shapes reality. The further adventures of
the most beautiful courtesan in the galaxies of tomorrow.
She had the power to create planets. The sixty carved bones
of the Yris-tera foretold her ancient fate. Her heritage of power took her
beyond time and space and stole from her the one man she loved.
Enslaved on the planet Silistra, tomorrow's most beautiful
courtesan unleashes the powers of the gods.
What readers
are saying:
“Pure excellence…. A heroic quest of the highest
calibre.” - Goodreads
“This is a book which makes one’s blood sing and one’s
mind ponder. I loved the first in the series and enjoyed this as much, perhaps
more. The ending leaves the reader desperate to know what happens to Estri next
– courtesan, slave, warrior, lover, rebel. What is next for our heroine?” –
Goodreads
“Call it what you like: science fiction, space opera,
sword and planet or erotic fantasy . . . The Golden Sword is all these things,
and so much more. A highly intelligent and sensual novel filled with ideas and
revelations, this is a gripping story that explores human sexuality and the
role it plays in politics. Although the memorable characters are bisexual, toss
away all your preconceived notions, for there is a humanity, a strength of will
and determination, a realism and depth of emotion to these characters that will
have you thinking twice about all you know and all you think you know. This is
a book for mature and discerning readers who like some meat on the bones of the
books they read. Janet Morris led the way for all the science fiction authors, both
male and female, who came after. “ – Joe Bonadonna, Goodreads
One woman's mythic search for self-realization in a distant tomorrow...
Her sensuality was at the core of her world, her quest beyond the civilized
stars.
Aristocrat. Outcast. Picara. Slave. Ruler.
"Engrossing characters in a marvelous adventure." - Charles N. Brown,
Locus Magazine
"The amazing and erotic adventures of the most beautiful courtesan in
tomorrow's universe" - Frederik Pohl
"The best single example of prostitution used in fantasy is Janet Morris'
Silistra series... Estri's character is most like that of Ishtar who describes
herself as "'a prostitute compassionate am I'" because she
"symbolizes the creative submission to the demands of instinct, to the
chaos of nature ...the free woman, as opposed to the domesticated woman".
Linking Estri with these lunar and water symbols is not difficult because of
the moon's eternal virginity (the strength of integrity) links with her changeability
(the prostitute's switching of lovers). [...]
Morris strengthens the moon imagery by having Estri as a
well-keepress because wells, fountains, and the moon as the orb which controls
water have long been associated with fertility, [...] In a sense, she is like
the moon because she is apparently eternal, never waxing or waning except in
her pursuit of the quest; she is the prototypical wanderer like the moon and
Ishtar. She is the eternal night symbol of the moon in opposition to the
Day-Keepers [...]
At her majority (her
three hundredth birthday), she is given a silver-cubed hologram letter from her
mother, containing a videotape of her conception by the savage bronzed
barbarian god from another world. [...] If Estri's mother then acts as a bawd,
willing her lineage as Well-Keepress to her daughter, then Estri's
great-grandmother Astria as foundress of the Well becomes a further mother-bawd
figure when she offers her prophetic advice in her letter: "Guard Astria
for you may lose it, and more. Beware of one who is not as he seems. Stray not
in the port city of Baniev ...look well about you, for your father's daughter's
brother seeks you". Having no brother that she knows of does not stay
Estri from undertaking the heroic quest of finding her father."
- Anne K. Kaler, The
Picara: From Hera to Fantasy Heroine
Best selling author Janet Morris began writing in 1976 and
published more than 30 novels, many co-authored with her husband Chris Morris
or others. She contributed short fiction to the shared universe fantasy series
Thieves World, in which she created the Sacred Band of Stepsons, a mythical
unit of ancient fighters modeled on the Sacred Band of Thebes. She created,
orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing
stories for the series as well as co-writing the related novel, The Little
Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the
1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss,
and The Carnelian Throne. This quartet had more than four million copies in
Bantam print alone, and was translated into German, French, Italian, Russian
and other languages. In the 1980s, Baen Books released a second edition of this
landmark series. The third edition is the Author's Cut edition, newly revised
by the author for Perseid Press. Most of her fiction work has been in the
fantasy and science fiction genres, although she has also written historical
and other novels. Morris has written, contributed to, or edited several
book-length works of non-fiction, as well as papers and articles on nonlethal
weapons, developmental military technology and other defense and national
security topics.
Janet said: 'People often ask what book to read first. I
recommend "I, the Sun" if you like ancient history; "The Sacred
Band," a novel, if you like heroic fantasy; "Lawyers in Hell" if
you like historical fantasy set in hell; "Outpassage" if you like
hard science fiction; "High Couch of Silistra" if you like far-future
dystopian or philosophical novels. I am most enthusiastic about the definitive
Perseid Press Author's Cut editions, which I revised and expanded.'
