Robert
Gladstone is a detective trying to infiltrate a drug and Trojan horse
conspiracy. Actually, he’s a fictional character from a crime thriller novel, and,
lately, he hasn’t liked what’s been written for him. So, you see him,
literally, battling with the author A.K.A. “the narrator” right from the start.
“Robert was the only one who had found
out—the only one astute enough to see that the narrator did not always make him
speak and think as he really spoke and thought. He was observant, he really
listened to his own words, he could tell something was controlling him,
directing him, some supernatural force beyond his world.” (7)
“Was there really such a person as a
creator, a writer, who made everything?” (11)
Having had enough of the fictional
world, Robert soon finds himself in the real world, controlling his own
dialogue and movements, feeling what it’s like to be real.
I liked the idea of a fictional
character coming to life. Yes, we writers like to think that our characters
take a life of their own, but that’s in the world of fiction. What happens when
you take these characters out of their world and bring them here? How would
they react? What would they feel? What would they say? What would they do?
“There is a whole new potential for me
out there, in your world. Things us characters could never even have
dreamed of: free will, consciousness, independence, opportunity— the
opportunity to be anyone, to become anyone, that I could ever want to be.” (11)
Throughout the book, the narrator
tries to teach the character how to acclimate in the real world through
breathing, exercise, and standard living. Let’s face it, to exist out here, you
need to learn how to survive. It was fun seeing Robert trying to adjust to our
way of life. Still, he was a character in a book and had to go back to finish
the story. So he was living two stories at once.
But, then the character realizes that
life in reality isn’t all it’s cracked up to be. For one thing, working a real
job can be boring and uneventful. True dat! At that point, he decides he would
rather go back into the novel instead of living an insipid, soulless life in
reality. Until he realizes that he can’t go back, so, instead he seeks acting
as a way to fill the void of fiction. It’s a classic tale of “the grass ain’t
always greener on the other side.”
Story is a well-written and enjoyable
account of a character lost in reality! One that made him question which was
more real—playing a fictional character in reality or playing a real character
in fiction?
Things become grislier when the
violence and crime sprees he experienced in novels transcend into the real
world. Suddenly, it’s an issue of immigration and it results in acts of terrorism.
Life turns to fiction and fiction turns to life. It’s a cross-over gone wrong. The
only thing that didn’t captivate me as much was the political aspect, but,
luckily, it doesn’t take much precedence.
A CHARACTER IN REALITY is such a
simple and intriguing story.
My rating: 4 stars
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